Á¾±³À½¾Ç

0
 157   8   1
  View Articles

Name  
   °û±Ù¼ö 
File #1  
   johannesbrahms[1].jpg (122.1 KB)   Download : 8
File #2  
   blomstedt[1][1].jpg (94.5 KB)   Download : 53
Subject  
   ºê¶÷½º(Brahms) - µ¶ÀÏ ·¹Äû¿¥ Deutsche Requiem




** »çÁø / À§ - ºê¶÷½º, ¾Æ·¡ : ºê·Ò½´Åׯ®

¢Â À¯Åõºê °¨»ó
µ§¸¶Å© ¹æ¼Û ±³Çâ¾Ç´Ü°ú ÇÕâ´Ü, ÁöÈÖ : Herbert Blomstedt
Soprano : Camilla Tilling, Bariton : Peter Mattei.
http://youtu.be/dJelOS-fjrY

Á¾±³ÀÇ ±³ÀÇ´Â Á×À½ÀÇ ¹®Á¦¿¡ °ÅÀÇ ¸ðµç ¸Þ½ÃÁö°¡ ÁýÇյǾîÁø °ÍÀ¸·Î ÆÄ¾ÇµÈ´Ù. Á×
À½ÀÌ ¹«¼·°í °Ì³ª°í µÎ·Á¿î °ÍÀº ±×°ÍÀÌ »îÀÇ ³¡À̶ó´Â »ç½Ç°ú Á×À½ µÚÀÇ ÀÏÀ» ¾Ë
¼ö ¾ø´Ù´Â ÀνÄÀÇ ¾îµÎ¿î ÇѰ谡 ÀüÁ¦µÇ±â ¶§¹®ÀÌ´Ù. ¶§¹®¿¡ Á¾±³ÀÇ ±³ÀÇ´Â Á×À½°ú
±× ÀÌÈÄÀÇ ÀϵéÀ» ÃÊ³í¸®(õ±Öå×â)·Î ¼³¸í, ¼³µæÇÔÀ¸·Î½á Á×À½À» °øÆ÷ÀÇ ´ë»óÀÌ ¾Æ
´Ñ [¿µ¿øÇÑ »îÀÇ ÇÑ °úÁ¤]À¸·Î ÀνÄÄÉ Çϴµ¥ ¿ªÁ¡À» µÎ°í ÀÖ´Â °æ¿ì°¡ ¸¹Àº °ÍÀÌ
´Ù.

±×¸®½ºµµ±³´Â ±¸¿øÀÇ Á¾±³ÀÌ´Ù. ±×¸®½ºµµ¸¦ ¹Ï°í ±×ÀÇ °¡¸£Ä§¿¡ ¼øÁ¾ÇÏ´Â ½Å¾Ó¸¸
ÀÌ Á×À½ÀÇ °è°î¿¡¼­ Å»ÃâÇÏ°Ô Çϸç, Á׾ Á×´Â °ÍÀÌ ¾Æ´Ï¸ç ÀÌ ¼¼»ó°ú´Â ºñ±³µµ
ÇÒ ¼ö ¾ø´Â ÜØÕ¥ÀÇ ¼¼°è¿¡¼­ ¿µ»ýÀ» ´©¸®´Â ±æ·Î °¡´Â °úÁ¤ÀÓÀ» °­Á¶ÇÑ´Ù. ±×·¸±â
¶§¹®¿¡ ±×¸®½ºµµ±³ ½ÅÇÐÀº Àΰ£ÀÇ Åº»ýÀ» Ưº°ÇÑ ÀºÃÑÀ¸·Î ¹Ï´Â´Ù. ź»ýÀÌ ÀÖ°í, °Å
±â¿¡ ½Å¾ÓÀÌ º¸Å¾îÁö°í, ±×·¡¼­ Á×À½À» ÅëÇØ ¿µ»ýÀ¸·Î °¡´Â ÃູÀÌ ºÎ¿© µÈ´Ù´Â °Í
ÀÌ´Ù.

¡®·¹Äû¿¥¡¯Àº ÀϹÝÀûÀ¸·Î ¶óƾ¾î °¡»ç¿¡ ÀÇÇØ ÀÛ°î µÇÁö¸¸, ºê¶÷½ºÀÇ <µ¶ÀÏ ·¹Äû¿¥>
Àº ¸¶¸£Æ¾ ·çÅͰ¡ µ¶ÀϾî·Î ¹ø¿ªÇÑ 1537³â ÆÇÀÇ ¼º¼­¿¡¼­ ÃëÇÑ µ¶ÀÏ¾î °¡»ç¿¡ À½¾Ç
À» ºÙÀÎ ·¹Äû¿¥ÀÌ´Ù. µû¶ó¼­ ÀÌ ÀÛǰÀº °¡Å縯ÀÇ ¹Ì»ç¿ëÀÌ ¾Æ´Ñ ¿¬ÁÖȸ¿ëÀ̶ó´Â Á¡
¿¡¼­ Àü·Ê¿ë ·¹Äû¿¥°ú´Â ´Ù¸£´Ù. ±×·¯³ª ´Ù¸¥ ´ëºÎºÐÀÇ ·¹Äû¿¥µé°ú ¸¶Âù°¡Áö·Î ÀÌ
ÀÛǰ ¿ª½Ã 7ºÎ·Î µÇ¾îÀÖ°í, ÇÏ´À´ÔÀÇ À§´ëÇÑ Èû°ú ÀλýÀÇ ¹«»óÇÔ, ½ÉÆÇÀÇ °øÆ÷, ´©
±¸³ª ´Ù Á״´ٴ Àΰ£ÀÇ ¼÷¸í, ³²Àº ÀÚ¿¡°Ô ÁÖ´Â À§¾È, ³²°ÜÁø ÀÚÀÇ ½½ÇÄ, ±×¸®°í
ºÎȰÀÇ Èñ¸ÁÀ» ´Ù·ç°í ÀÖ´Ù´Â Á¡¿¡¼­´Â ´Ù¸¥ ÀÛ°î°¡µéÀÇ ·¹Äû¿¥°ú Å©°Ô ´Ù¸£Áö ¾Ê
´Ù. ±×·¯³ª Àü·Ê¿ë ·¹Äû¿¥ÀÇ Ã¹ ±ÍÀýÀº "ÁÖ¿©, ±×µé¿¡°Ô ¿µ¿øÇÑ ¾È½ÄÀ» ÁÖ¼Ò¼­.
Requiem aeternam dona eis Domine)" ¶ó°í µÇ¾î Àִµ¥ ºñÇØ, ÀÌ ÀÛǰÀº "ÇູÇÏ¿©
¶ó, ½½ÆÛÇÏ´Â »ç¶÷µé! ±×µéÀº À§·Î¹ÞÀ» °ÍÀÌ´Ù"¶ó°í ½ÃÀÛÇÑ´Ù. Àü·Ê¿ëÀº Á×ÀºÀÚ¸¦,
ºê¶÷½ºÀÇ ·¹Äû¿¥Àº »ì¾ÆÀÖ´Â ÀÚ¸¦ À§·ÎÇÏ¸ç ½ÃÀÛÇÑ´Ù. ºê¶÷½º°¡ ºê·¹¸à ´ë¼º´çÀÇ
À½¾Ç°¨µ¶ Ä«¸¦ ¸¶¸£Æ¾ ¶óÀÎÅ»·¯(Carl Martin Reinthaler)¿¡°Ô "³ª´Â Àΰ£ÀûÀÎ ·¹Äû¿¥
À» ¾²°í ½Í´Ù"°í ¸»ÇßµíÀÌ ÀÌ ÀÛǰÀÌ ±âº»ÀûÀ¸·Î ±ò°í ÀÖ´Â ¸Þ½ÃÁö¸¦ ¾Ë°ÔÇÏ´Â ´ë¸ñ
ÀÌ´Ù.

ÀÛ°î¿¡ ´ëÇÑ µ¿±â¿¡ ´ëÇØ¼­´Â µÎ °¡Áö°¡ ¼³¸íÀÌ ÀÖ´Ù. ºê¶÷½º Àü±â ÀÛ°¡ ¸·½º Ä®º¤
(Max Kalbeck)Àº ºê¶÷½º°¡ ¾î¸Ó´ÏÀÇ Á×À½¿¡ ÀÇÇØ¼­ ¿µ°¨À» ¹Þ¾Ò°í, °îÀÇ ÀϺδ ½´
¸¸ÀÇ Á×À½°úµµ ¿¬°üÀÌ ÀÖ´Ù°í ¸»ÇÏ¿´´Ù. ½ÇÁ¦·Î ºê¶÷½º´Â 1865³â 2¿ù¿¡ ¾î¸Ó´Ï°¡
¼¼»óÀ» ¶°³µÀ» ¶§ ±× ½½ÇÄÀ» À̱â±â À§ÇØ °îÀ» ¾²±â ½ÃÀÛÇß´Ù. ³²Æí°ú Çì¾îÁ® È¥ÀÚ
»ì°í ÀÖ´ø ±×ÀÇ ¾î¸Ó´Ï´Â °©ÀÚ±â ÁßdzÀ¸·Î ¾²·¯Á³´Âµ¥ ÀÌ ¼Ò½ÄÀ» µè°í ±ÞÈ÷ ´Þ·Á°£
±×´Â ½Ä¾î°¡´Â ¾î¸Ó´ÏÀÇ ¼Õ°ú Çì¾îÁø ¾Æ¹öÁöÀÇ ¼ÕÀ» Àâ°Ô ÇØÁÖ¾ú´Ù. ¾î¸Ó´Ï´Â ¶ß°Å
¿î ´«¹°À» Èê·ÈÀ¸³ª ȸº¹ÇÏÁö ¸øÇÏ°í ¾ó¸¶ ÈÄ ¼¼»óÀ» ¶°³µ´Ù. À̶§ ºê¶÷½º´Â ½½ÇÄ
¿¡ Àá±ä ä Á¦1¾ÇÀå°ú Á¦4¾ÇÀåÀ» ¿Ï¼ºÇÏ¿´´Ù°í ¾Ë·ÁÁ³´Ù.

ÇÑÆí Á¦2¾ÇÀåÀº ½´¸¸ÀÌ Á¤½ÅºÐ¿­·Î ÀÚ»ìÀ» ½ÃµµÇÏ¿´À» ¶§ Ŭ¶ó¶ó¸¦ µ¹º¸±â À§ÇØ µÚ
¼¿µµ¸£ÇÁ·Î °¡´Â ±æ¿¡ ÀÛ°îÇÏ¿´´ø ¾ÇÀåÀ¸·Î ½´¸¸ÀÇ Á×À½¿¡ ´ëÇÑ °¨Á¤ÀÌ ÀÌ °î ÀϺÎ
ºÐ¿¡ µ¿±â ºÎ¿©¸¦ Çß´Ù°í ÃßÃøÇÑ´Ù. ÀÌ °îÀ» µè°í Ŭ¶ó¶ó´Â ±íÀº °¨µ¿À» ¹Þ°í ¡°Àú´Â
´ç½ÅÀÇ ·¹Äû¿¥¿¡ ÁøÁ¤À¸·Î ¸ÅȤµÇ°í ¸»¾Ò½À´Ï´Ù. ±× °îÀÌ Áö´Ñ ÈûÀº µè´Â À̸¦ °¨µ¿
½Ã۰í¾ß ¸¿´Ï´Ù. Àå¾öÇÏ°í ½ÃÀûÀÎ ±× À½¾Ç¿¡´Â »ç¶÷µéÀ» °¨°Ý½Ã۱⵵ Çϰí Â÷ºÐ
È÷ °¡¶ó¾ÉÈ÷±âµµ ÇÏ´Â ±× ¹«¾ùÀΰ¡°¡ ÀÖ´Â º¸±â µå¹® °ÉÀÛÀÔ´Ï´Ù.¡±¶ó´Â ÆíÁö¸¦ º¸³Â
´Ù. ÀÌ °îÀº Ã븮È÷¿¡¼­ 1868³â 9¿ù 12ÀÏ¿¡ ¼ÒÇÁ¶ó³ë ÀÌ´Ù ¼öÅÍ º£¹ö(Ida Suter-
Webe)ÀÇ µ¶Ã¢°ú ÇÁ¸®µå¸®È÷ Çì°¡¸£(Friedrich Hegar)°¡ ÁöÈÖÇÏ´Â ÅæÇÒ·¹ ¿ÀÄɽºÆ®
¶óÀÇ ¿¬ÁÖ·Î ÃÊ¿¬µÇ¾ú´Ù.

1868³âÀÇ ¼º±Ý¿äÀÏÀÎ 4¿ù 10ÀÏ, ºê·¹¸à ±³È¸¿¡¼­ ÃÖÁ¾ÀûÀ¸·Î 7°³ ¾ÇÀåÀ¸·Î ¿Ï¼ºµÈ
ÀÛǰÀÌ ÃÊ¿¬µÆ´Âµ¥, µ¶ÀÏ Àü¿ª¿¡¼­ ¼ö¸¹Àº À½¾Ç¾ÖÈ£°¡¿Í À¯¸í ÀλçµéÀÌ ¸ô·Áµé¾ú´Ù
°í ÇÑ´Ù. ºê¶÷½º°¡ Á÷Á¢ ÁöÈÖ Çߴµ¥, ûÁß °¡¿îµ¥´Â Ŭ¶ó¶ó ½´¸¸ µî ±×¸¦ ¾Æ³¢´Â ¸¹
Àº Ä£±¸µéÀÌ ÀÖ¾ú°í ºê¶÷½ºÀÇ ¾Æ¹öÁö¿Í »õ¾î¸Ó´Ïµµ ÀÖ¾ú´Ù. ½´¸¸ÀÇ Á¦ÀÚ·Î ºê¶÷½º
¿Íµµ °¡±îÀÌ Áö³Â´ø ¾Ëº£¸£Æ® µðÆ®¸®È÷(Albert Dietrich)´Â À̳¯ ¿¬ÁÖ¿¡ ´ëÇØ ¡°ÇÑ ¸¶µð
·Î ¾ÐµµÀûÀ̾ú´Ù. ûÁßÀº ÀÌ À½¾ÇÀ̾߸»·Î ÀÌÁ¦±îÁö ¼¼»óÀÇ ¸¹Àº À½¾Ç Áß¿¡¼­ °¡Àå
°í°áÇÑ À½¾Ç Áß Çϳª¶ó´Â »ç½ÇÀ» ´Ü¹ø¿¡ ÀνÄÇÏ°Ô µÇ¾ú´Ù¡±°í ¸»Çß´Ù.

ºê¶÷½º°¡ ÀÌ ÀÛǰó·³ È¥¼º ÇÕâ¿¡´Ù ´ëÆí¼º ¿ÀÄɽºÆ®¶óÀÇ Á¶Á÷°ú ÈûÀ» »ç¿ëÇÑ °Í
Àº »ç½Ç»ó óÀ½À̾ú´Ù. ±×·¯³ª ±× ù ½Ãµµ´Â ³Ê¹«µµ ¼º°øÀûÀ̾ú´Ù. ±×´Â ÀÌ °î Çϳª
·Î ÇÕâ°ú ¿ÀÄɽºÆ®¶óÀÇ ÀÀÃàµÈ ÈûÀ» ´Ù·ç´Â µ¥ À־ ±× ¾î¶² ÀÛ°î°¡º¸´Ùµµ ¶Ù¾î
³­ ´ë°¡ÀÓÀ» »õ»ï Àϱú¿ö ÁÖ´Â °è±â°¡ µÇ¾ú´Ù.

ºê·¹¸à ±³È¸¿¡¼­ ´ë¼º°øÀ» °ÅµÐ ÈÄ ºê¶÷½º´Â ´Ù½Ã ¼ÒÇÁ¶ó³ë µ¶Ã¢°îÀÌ ÀÖ´Â ¾ÇÀå,
Áï ¡°½½ÇÄÀ» Áö´Ñ ÀÚµéÀÌ¿©¡±(Á¦5¾ÇÀå)¸¦ Ãß°¡Çß´Ù. À̷νá ÀÌ ÀÛǰÀº ´Ù¸¥ ´ëºÎºÐÀÇ
ÀÛ°î°¡µéÀÇ °æ¿ì¿Í ¸¶Âù°¡Áö·Î 7°³ ¾ÇÀåÀÌ µÈ °ÍÀÌ´Ù. Á¦5¾ÇÀåÀÌ Ãß°¡µÈ ÀÛǰÀÇ ÃÊ
¿¬Àº 1869³â 2¿ù 18ÀÏ¿¡ ¶óÀÌÇÁÄ¡È÷ °Ô¹ÝÆ®ÇϿ콺¿¡¼­ Ä«¸¦ ¶óÀ̳×ÄÉ(Carl
Reinecke)ÀÇ ÁöÈÖ·Î ÀÌ·ç¾îÁ³´Ù. ÀÌÈÄ ÀÌ ÀÛǰÀº 10³â µ¿¾È¿¡ µ¶ÀϾî±Ç ³ª¶ó¿¡¼­¸¸
100ȸ ÀÌ»óÀ̳ª ¿¬ÁֵǾú´Ù.

1875³â, ´ç½Ã À½¾Ç°èÀÇ °¡Àå À¯·ÂÇÑ ºñÆò°¡¿´´ø ¿¡µÎ¾Æ¸£Æ® Çѽ½¸¯((Eduard
Hanslick)Àº ÀÌ °îÀ» ¡°°¡Àå ¼ø¼öÇÑ ¿¹¼úÀû ¼ö´Ü, Áï ¿µÈ¥ÀÇ µû½ºÇÔ°ú ±íÀÌ, »õ·Ó°í À§
´ëÇÑ °ü³ä, ±×¸®°í °¡Àå °í±ÍÇÑ º»¼º°ú ¼ø°á·Î Àϱг½ ÃÖ°íÀÇ ÀÛǰ¡±À̶ó°í ±ØÂùÀ»
¾Æ³¢Áö ¾Ê¾Ò°í, ¹ÙÈåÀÇ <b´ÜÁ¶ ¹Ì»ç>¿Í º£Å亥ÀÇ <Àå¾ö¹Ì»ç>¸¦ Á¦¿ÜÇϰí ÀÌ ºÐ¾ß
¿¡¼­ ºê¶÷½ºÀÇ <·¹Äû¿¥>°ú ºñ±³ÇÒ¸¸ÇÑ ÀÛǰÀº ¾ø´Ù¡°°í ´Ü¾ðÇß´Ù.

¢Ä ¾Ç±âÆí¼º
¼ÒÇÁ¶ó³ë, ¹Ù¸®Åæ µ¶Ã¢, È¥¼º4ºÎÇÕâ,
¸ñ°ü : piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons and contrabassoon
±Ý°ü : 4 horns, 2 trumpets, 3 trombones, tuba
Ÿ¾Ç±â, timpani
Çö¾Ç±â,ÇÏÇÁ, ¿À¸£°£

¡â Á¦1¾ÇÀå, Ziemlich langsam und mit Ausdruck(´õ¿í ´À¸®°Ô, Ç¥Á¤À» °®°í), Selig
sind, die da Leid tragen
ÇູÇÏ¿©¶ó, ½½ÆÛÇÏ´Â »ç¶÷µé! ±×µéÀº À§·Î¹ÞÀ» °ÍÀÌ´Ù(¸¶Å¿À 5:4).
´«¹°·Î ¾¾ »Ñ¸®´ø À̵é ȯȣÇÏ¸ç °ÅµÎ¸®¶ó. »Ñ¸° ¾¾ µé°í ¿ï¸ç °¡´ø ÀÌ °î½Ä ´Ü µé
°í ȯȣÇÏ¸ç µ¹¾Æ¿À¸®¶ó(½ÃÆí 126:5, 6).

¡â Á¦2¾ÇÀå, Langsam, marschma©¬ig(´À¸®°Ô, ÇàÁø°îdzÀ¸·Î), Denn alles Fleisch, es
ist wie Gras
¡°¸ðµç Àΰ£Àº Ç®°ú °°°í ±× ¸ðµç ¿µ±¤Àº Ç®²É°ú °°´Ù. Ç®Àº ¸¶¸£°í ²ÉÀº ¶³¾îÁöÁö¸¸
(º£µå·Î Á¦1¼­ 1:24),
±×·¯¹Ç·Î ÇüÁ¦ ¿©·¯ºÐ, ÁÖ´ÔÀÇ À縲 ¶§±îÁö Âü°í ±â´Ù¸®½Ê½Ã¿À. ¶¥ÀÇ ±ÍÇÑ ¼ÒÃâÀ»
±â´Ù¸®´Â ³óºÎ¸¦ º¸½Ê½Ã¿À. ±×´Â À̸¥ ºñ¿Í ´ÊÀº ºñ¸¦ ¸Â¾Æ °î½ÄÀÌ ÀÍÀ» ¶§±îÁö Âü
°í ±â´Ù¸³´Ï´Ù.(¾ß°íº¸ 5:7),
ÁÖ´Ô²²¼­ ÇØ¹æ½ÃŰ½Å À̵鸸 ±×¸®·Î µ¹¾Æ¿À¸®¶ó. ±×µéÀº ȯȣÇÏ¸ç ½Ã¿Â¿¡ µé¾î¼­¸®
´Ï ³¡¾ø´Â Áñ°Å¿òÀÌ ±×µé ¸Ó¸® À§¿¡ ³ÑÄ¡°í ±â»Ý°ú Áñ°Å¿òÀÌ ±×µé°ú ÇÔ²²ÇÏ¸ç ½½ÇÄ
°ú ź½ÄÀÌ »ç¶óÁö¸®¶ó.(ÀÌ»ç¾ß 35:10).  

¡â Á¦3¾ÇÀå, Adante moderato, Herr, lehre doch mich, ¹Ù¸®Åæ ¼Ö·Î¿Í ÇÕâ  
ÁÖ´Ô, Á¦ ³¡À» ¾Ë·Á ÁÖ¼Ò¼­. Á¦°¡ »ì³¯ÀÌ ¾ó¸¶ÀÎÁö ¾Ë·Á ÁÖ¼Ò¼­. ±×·¯¸é Àú ÀÚ½ÅÀÌ
¾ó¸¶³ª µ¡¾ø´ÂÁö ¾Ë°Ô µÇ¸®ÀÌ´Ù. º¸¼Ò¼­. ´ç½Å²²¼­´Â Á¦°¡ »ì³¯µéÀ» ¸î »Â ±æÀÌ·Î
Á¤ÇϽþî Á¦ ¼ö¸í ´ç½Å ¾Õ¿¡¼­´Â ¾ø´Â °Í°ú °°½À´Ï´Ù. »ç¶÷Àº Çѳ¹ ÀÔ±èÀ¸·Î ¼­ ÀÖ
À» »Ó. Àΰ£Àº Çѳ¹ ±×¸²ÀÚ·Î Áö³ª°¡´Âµ¥ ºÎÁú¾øÀÌ ¼Ò¶õ¸¸ ÇÇ¿ì¸ç ½×¾Æ µÓ´Ï´Ù. ´©
°¡ ±×°ÍµéÀ» °ÅµÎ¾î °¥Áöµµ ¾ËÁö ¸øÇÑ Ã¤. ±×·¯³ª ÀÌÁ¦ ÁÖ´Ô, Á¦°¡ ¹«¾ùÀ» ¹Ù¶ó°Ú½À
´Ï±î? ÀúÀÇ Èñ¸ÁÀº ¿ÀÁ÷ ´ç½Å²² ÀÖ½À´Ï´Ù.(½ÃÆí 39:4-7),
ÀÇÀεéÀÇ ¿µÈ¥Àº ÇÏ´À´ÔÀÇ ¼Õ¾È¿¡ ÀÖ¾î ¾î¶°ÇÑ °íÅëµµ °ÞÁö ¾ÊÀ» °ÍÀÌ´Ù.(ÁöÇý¼­
3:1).

¡â Á¦4¾ÇÀå, Con moto moderato, Wie lieblich sind diene Wohnungen
¸¸±ºÀÇ ÁÖ´Ô ´ç½ÅÀÇ °Åó°¡ ¾ó¸¶³ª »ç¶û½º·´½À´Ï±î! ÁÖ´ÔÀÇ ¾Õ¶ãÀ» ±×¸®¿öÇϸç ÀÌ
¸öÀº ¿©À§¾î °©´Ï´Ù. »ì¾Æ°è½Å ÇÏ´À´ÔÀ» ÇâÇÏ¿© Á¦ ¸¶À½°ú Á¦ ¸öÀÌ È¯¼ºÀ» Áö¸¨´Ï
´Ù. ÇູÇÕ´Ï´Ù. ´ç½ÅÀÇ Áý¿¡ »ç´Â À̵é! ±×µéÀº ´Ã ´ç½ÅÀ» Âù¾çÇϸ®´Ï.(½ÃÆí
84:1,2,4) ** °¡Å縯 ¼º°æ¿¡¼­´Â 84Æí 2, 3, 5Àý.

¡â Á¦5¾ÇÀå, Andante, Ihr habt nun Traurigkeit, ¼ÒÇÁ¶ó³ë ¼Ö·Î¿Í ÇÕâ
ÀÌó·³ ³ÊÈñµµ Áö±ÝÀº ±Ù½É¿¡ ½Î¿© ÀÖ´Ù. ±×·¯³ª ³»°¡ ³ÊÈñ¸¦ ´Ù½Ã º¸°Ô µÇ¸é ³ÊÈñ
¸¶À½ÀÌ ±â»µÇÒ °ÍÀ̰í, ±× ±â»ÝÀ» ¾Æ¹«µµ ³ÊÈñ¿¡°Ô¼­ »©¾ÑÁö ¸øÇÒ °ÍÀÌ´Ù.(¿äÇÑ
16:22),
³ª¸¦ º¸¾Æ¶ó. ªÀº ½Ã°£µ¿¾È ¾î·Á¿ò°ú ¼ö°íÇÔÀ» °Þ¾úÀ¸³ª Ä¿´Ù¶õ À§·Î¸¦ ã¾Òµµ´Ù.
(Áýȸ¼­ 51:27),
¾î¹Ì°¡ ÀÚ½ÄÀ» ´Þ·¡µíÀÌ ³»°¡ ³ÊÈñ¸¦ À§·ÎÇϸ®¶ó(ÀÌ»ç¾ß  66:13).

¡â Á¦6¾ÇÀå, Andante, Denn wir haben hie kleine bleibende Statt, ¹Ù¸®Åæ ¼Ö·Î¿Í ÇÕâ  
»ç½Ç ¶¥ À§¿¡´Â ¿ì¸®¸¦ À§ÇÑ ¿µ¿øÇÑ µµ¼ºÀÌ ¾ø½À´Ï´Ù. ¿ì¸®´Â ¾ÕÀ¸·Î ¿Ã µµ¼ºÀ» ã
°í ÀÖ½À´Ï´Ù.(È÷ºê¸® 13:14).  
³»°¡ ¿©·¯ºÐ¿¡°Ô ½Åºñ Çϳª¸¦ ¸»ÇØ ÁÖ°Ú½À´Ï´Ù. ¿ì¸® ¸ðµÎ Á×Áö ¾Ê°í ´Ù º¯È­ÇÒ °Í
ÀÔ´Ï´Ù. ¼ø½Ä°£¿¡, ´« ±ô¹ÚÇÒ »çÀÌ¿¡, ¸¶Áö¸· ³ªÆÈ ¼Ò¸®¿¡ ±×¸®µÉ °ÍÀÔ´Ï´Ù. ³ªÆÈÀÌ
¿ï¸®¸é Á×ÀºÀ̵éÀÌ ½âÁö ¾Ê´Â ¸öÀ¸·Î µÇ»ì¾Æ³ª°í ¿ì¸®´Â º¯È­ÇÒ °ÍÀÔ´Ï´Ù. ÀÌ ½â´Â
¸öÀº ½âÁö ¾Ê´Â °ÍÀ» ÀÔ°í ÀÌ Á×´Â ¸öÀº Á×Áö ¾Ê´Â °ÍÀ» ÀÔ¾î¾ß ÇÕ´Ï´Ù. ÀÌ ½â´Â ¸ö
ÀÌ ½âÁö ¾Ê´Â °ÍÀ» ÀÔ°í ÀÌ Á×´Â ¸öÀÌ Á×Áö ¾Ê´Â °ÍÀ» ÀÔÀ¸¸é, ±×¶§¿¡ ¼º°æ¿¡ ±â·Ï
µÈ ¸»¾¸ÀÌ ÀÌ·ç¾îÁú °ÍÀÔ´Ï´Ù. ¡°½Â¸®°¡ Á×À½À» »ïÄÑ ¹ö·È´Ù. Á×À½¾Æ, ³ÊÀÇ ½Â¸®°¡ ¾î
µð Àִ³Ä? Á×À½¾Æ, ³ÊÀÇ µ¶Ä§ÀÌ ¾îµð ÀÖÀ¸³Ä?¡±(°í¸°µµÁ¦1¼­ 15: 51-55).
ÁÖ´Ô, ÀúÈñÀÇ ÇÏ´À´Ô ÁÖ´ÔÀº ¿µ±¤°ú ¿µ¿¹¿Í ±Ç´ÉÀ» ¹Þ±â¿¡ ÇÕ´çÇÑ ºÐÀ̽ʴϴÙ. ÁÖ´Ô
²²¼­´Â ¸¸¹°À» âÁ¶Çϼ̰í ÁÖ´ÔÀÇ ¶æ¿¡ µû¶ó ¸¸¹°ÀÌ »ý°Ü³ª°í âÁ¶µÇ¾ú½À´Ï´Ù.¡°(¿ä
ÇÑ ¹¬½Ã·Ï 4:11).

¡â Á¦7¾ÇÀå, Maestoso, Selig sind die Toten
¡®ÀÌÁ¦ºÎÅÍ ÁÖ´Ô ¾È¿¡¼­ Á×´Â À̵éÀº ÇູÇÏ´Ù¡¯°í ±â·ÏÇÏ¿©¶ó, Çϰí Çϴÿ¡¼­ ¿ï·Á¿À
´Â ¸ñ¼Ò¸®¸¦ µé¾ú½À´Ï´Ù. ±×·¯ÀÚ »ó·É²²¼­ ¸»¾¸Çϼ̽À´Ï´Ù. "±×·¸´Ù. ±×µéÀº °í»ý
³¡¿¡ ÀÌÁ¦ ¾È½ÄÀ» ´©¸± °ÍÀÌ´Ù. ±×µéÀÌ ÇÑ ÀÏÀÌ ±×µéÀ» µû¶ó°¡±â ¶§¹®ÀÌ´Ù.¡°(¿äÇÑ ¹¬
½Ã·Ï 14:13).

** À½¹Ý
¾ËÆÄºª ¼øÀ¸·Î Á¤¸®µÈ À½¹Ý¸ñ·Ï(Wikipedia)

Sergiu Celibidache conducting the Kölner Rundfunk-Sinfonie-Orchester, Agnes
Giebel, Hans Hotter. Reissued 2009 by Past Classics

Stephen Cleobury conducting the King's College Choir, using Brahms's 2-piano
arrangement. Recorded in 2006 and released by EMI

Harry Christophers conducting The Sixteen, also using Brahms's 2-piano
arrangement. Recorded in 2006 and released on Coro Records. Uses period
instruments

Michel Corboz conducting the Ensemble vocal et instrumental de Lausanne, with
Christa Goetze, soprano, and Werner Lechte, baritone (EMI; reissue Virgin Classics)

Karl Eliasberg conducting the USSR State Symphony Orchestra, recorded in 1960
and released in 2010 by Vista Vera

Wilhelm Furtwängler conducting the Lucerne Festival orchestra and chorus live in
concert, with soloists Elisabeth Schwarzkopf and Hans Hotter, also recorded in
1948. The recording is incomplete, however, and suffers from severe wow, surface
noise, and overload distortion

Bernard Haitink conducting the Vienna Philharmonic. Recorded in 1980 and released
by Philips Records

Wolfgang Helbich Conductor, Bremer Domchor, Kammer-Sinfonie Bremen, Siri
Thornhill, Klaus Mertens, MDG 2002

Philippe Herreweghe conducting the Orchestre des Champs-Élysées. Recorded live
in 1996 and released in 1996 by Harmonia Mundi. Uses period instruments.

Craig Jessop conducting the Utah Symphony Orchestra (United States) & Mormon
Tabernacle Choir. Recorded February 1999 and released in October 1999 by Telarc.
Recorded in English.

Herbert von Karajan conducting the Berlin Philharmonic and Wiener Singverein.
Recorded in 1964 and released on CD 2002 by Deutsche Grammophon

Herbert von Karajan conducting the Berlin Philharmonic. Recorded in 1976 and
released in 2003 by EMI

Herbert Kegel conducting the Leipzig Radio Symphony Orchestra and Choir.
Recorded in 1985 with soloists Mari Anne Häggander and Siegfried Lorenz.
Released in 1987 by Capriccio

Otto Klemperer conducting the Philharmonia. Recorded in 1961 and released in
1999 by EMI Classics. (Rereleased in 2010 as part of the EMI Masters series)

Rafael Kubelík conducting the Bavarian Radio Symphony Orchestra. Recorded live
in 1978 and released in 2002 by Audite

Sir Gilbert Levine conducting the Staatskapelle Dresden and the Munich Bach
Choir. Recorded live in 2002 with Wolfgang Holzmair and Christiane Oelze

Lorin Maazel conducting the New Philharmonia Chorus & Orchestra, with Ileana
Cotrubaş, soprano, and Hermann Prey, baritone (Sony)

Kurt Masur conducting the New York Philharmonic. Recorded live in 1995 and
released in 1995 by Teldec

Yannick Nézet-Séguin conducting the London Philharmonic Orchestra and Chorus.
Soloists Elizabeth Watts, soprano; Stéphane Degout, baritone. Recorded live 4
April 2009 at the Southbank Centre Royal Festival Hall. Released by the LPO as
LPO0045.

André Previn conducting the Royal Philharmonic Orchestra. Recorded in 1986 and
released in 2002 by Apex

Alexander Rahbari conducting the Slovak Radio Symphony Orchestra. Released on
2 December 1992 by Naxos with Miriam Gauci, soprano, Eduard Tumagian,
baritone, Slovak Philharmonic Choir

Wolfgang Sawallisch conducting the Bavarian Radio Symphony Orchestra.
Released in 1995 by Orfeo

Giuseppe Sinopoli conducting the Czech Philharmonic Orchestra. Released in 1983
by Deutsche Grammophon with Lucia Popp, soprano, Wolfgang Brendel, baritone,
Prague Philharmonic Chorus

Robert Spano conducting the Atlanta Symphony Orchestra and Chorus with Twyla
Robinson, soprano, and Mariusz Kwiecien, baritone. Recorded in 2007, released in
2008 on Telarc.

** (¾Æ¸¶Á¸ ÄÉÅзα×)
http://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Dpopular&field-keywords=Brahms+Deutsche+Requiem

** ÆÛ °¡´Â °ÍÀº ÁÁÀ¸³ª, ¹Ýµå½Ã Ãâó¸¦ ¹àÈ÷½Ã±â ¹Ù¶ø´Ï´Ù.


ÃÖ³²¿µ
 ::: °©ÀÚ±â³Ê¹« °¡½¿ÀÌ ¹÷Â÷ °ç¿¡µÎ°í½Í¾î  

Name
Memo
Password
 
     
Prev
   ¾Ë·¹±×¸®(Allegri,c.1582–1652) / ¹ÌÁ¦·¹·¹(Miserere Mei)

°û±Ù¼ö
Next
   ¹ÙÈå(Bach) / ¸ðÅׯ® '¿À¼Ò¼­, ¿¹¼ö¿©, ¿À¼Ò¼­' BWV 229 [1]

°û±Ù¼ö


Copyright 1999-2021 Zeroboard / skin by Zetyx